Saturday, May 29, 2010
Thursday, May 27, 2010
QUOTE FOR TODAY
Friday, May 21, 2010
It's Time For...
Thursday, May 20, 2010
"Little in the middle, but she got much back!" Finally a book for ladies just like me!
Big Bouncy Butts
Putting the backside front and center
The Kama Sutra gives detailed instructions on how to spank it. Contemporary Italians touch it for luck before placing a bet. Americans are having it cosmetically enhanced at rates approaching breast enlargement surgery. The female butt, tush, culo, or derrière has always inspired awe, fantasy, and slavish devotion.
Curiously, its primary purpose is functional rather than aesthetic: butts balance our bodies while running, according to biologists. But ask any pygophiliac—as fundament fans are clinically termed—and you'll get the same answer: female hindquarters exist to please the eye, the hands, and parts south. A pert posterior causes instant arousal, as Zora Neale Hurston observed in Their Eyes Were Watching God: "The men noticed her firm buttocks like she had grape fruits in her hip pockets." Or, as rapper Sir Mix-a-lot proclaimed, "My anaconda don't want none, unless you’ve got buns, hun."
Having all but disappeared from western culture in the breast-obsessed second half of the 20th century, the fully formed fanny is currently enjoying a massive resurgence, attributed by some to American actress Jennifer Lopez, by others to the rise of booty-centric hip hop culture. Yet this rage for shapely butts is nothing new. The ancient Greeks worshipped at the temple of Aphrodite Kallipygos, Goddess of the Beautiful Buttocks, while a womanly rump has always been an object of worship in most of the southern hemisphere.
The Big Butt Book explores this perennial fascination with female booty—from small and taut to large and sumptuous—in the fourth installment of Dian Hanson's critically acclaimed body parts series. Over 400 photos from 1900 to the present day, including works by Elmer Batters, Ellen von Unwerth, Jean-Paul Goude, Ralph Gibson, Richard Kern, Jan Saudek, Ed Fox, Terry Richardsonand Sante D'Orazio, of butts ranging from petite Pam Anderson's to sumptuousSerena Williams', are contextualized by interviews with porn icon John (Buttman) Stagliano, filmmaker Tinto Brass, artist Robert Crumb, bootylicious butt queens Buffie The Body, Coco and Brazil's Watermelon Woman, plus Eve Howard and her life-long spanking obsession.
About the editor and author:
Dian Hanson was born in Seattle in 1951. For 25 years she produced various men’s magazines, including Puritan, Juggs and Leg Show, before becoming TASCHEN's sexy book editor in 2001. Her many books for TASCHEN include The Big Penis Book, The Big Book of Legs and Bob’s World. She lives in Los Angeles.
Nyx Cosmetics Celebrated Their Decade +1 Anniversary
Nyx Cosmetics celebrated their Decade +1 Anniversary on May 18th, 2010, with a star-studded party at the legendary Roosevelt Hotel in Hollywood. Over 250 guests, including celebrities, models, makeup artists and fashion and beauty insiders came out to help ring in the next decade of Nyx Cosmetics!Guests mingled around the Roosevelt pool while enjoying tunes by DJ Harley Viera-Newton and sipping on grapefruit Nyx-tini’s. Stars were chatting with Nyx Cosmetics founder and Creative Director, Toni K. And everyone made sure to stop by the Nyx Beauty Bar, where guests (including Carmen Electra, Stacy Kiebler and Katharine McPhee) mixed & matched candy-colored shades of Nyx glosses and shadows for their own customized bag of products.
Nyx also gave their guests a voyeuristic peak at the photo shoot of their next marketing campaign, shot by model and photographer Jason Olive. Nyx beauty models also walked the space sampling guests with products. And at the end of the night, every guest went home with a (big) beautiful gift bag!
(via talkingmakeup.com)
Tuesday, May 18, 2010
To Live and Die For Fashion
Monday, May 17, 2010
Baby, I can't stay, you got to roll me And call me the tumblin' dice.
The Rolling Stones' Iconic 'Exile on Main Street' to be Released With Never-Before-Heard Tracks
Album Launch to Coincide With New Documentary 'Stones in Exile'
NEW YORK, Feb. 25 /PRNewswire/ -- Universal Music Group is pleased to announce the re-release of The Rolling Stones' album Exile on Main Street with an additional 10 never-before-heard tracks. Regarded as one of the greatest albums in rock 'n' roll history and one of the most defining of the Stones' catalogue, Exile will be available May 17, 2010, in the U.K. and May 18, 2010, in the US.
Upon its release more than three decades ago, Exile on Main Street innovatively wove varying musical genres, instruments and even artists into a compelling rhythmic masterpiece. This new compilation features 10 tracks originally recorded during the Exileera and only recently discovered while working on the reissue project. The unearthed tracks which include such titles as "Plundered My Soul," "Dancing in the Light," "Following the River" and "Pass The Wine" have undergone a unique evolution, while staying true to the essence of the 1972 album. Alternate versions of "Soul Survivor" and "Loving Cup" also are a part of theExile bonus materials.
As a complement to the release of Exile on Main Street, a documentary, "Stones in Exile," has just been completed for fans to view on US Network television and through BBC Worldwide internationally. The documentary features rare, never-before-seen archival film, photos and interviews as well as new conversations with the band and the artists they influence. Produced by Oscar-winning filmmaker John Battsek and directed by Stephen Kijak, who is known for award-winning work on Cinemania, andScott Walker: 30 Century Man, "Stones in Exile" offers an uncommon glimpse into the lives of the band as they created one of the greatest albums of all time.
The original 18-track double-album was recorded in various stages at multiple locations, including Olympic Studios in London,Keith Richard's mansion Nellcote in France, and in Los Angeles where the literal "Main Street" influenced the album title. These atypical circumstances surrounding the recording process greatly affected the album's outcome which was highly reflective and influenced by the sociopolitical turbulence that marked the late `60s and early `70s. The Stones nixed the influences of a flower-child era and directed their creative process with the edgier, excessive, "more is more" approach of the `70s. Exile reveals asprawling mix of genres with undertones of blues, country, R&B and gospel mixed with lyrics that fervently demand for release and liberation.
The album pulled together an electric array of talent including Dr. John, the late Billy Preston and pianist Nicky Hopkins. Guitarist Mick Taylor, who replaced Brian Jones in the band shortly before Jones died in 1969, is a magnificent blues player who brought an intensity and elegance to these epic tracks. At times, these musicians and others lived on the recording studio premises with the band creating an extremely open and creative collaboration for the album.
"The album's riveting portrait of artists pushed – by the times, by themselves – to the very limits of their creativity has provided inspiration to every musical generation that has come along since Exile was released in 1972," said author Anthony DeCurtis. "Every song on Exile on Main Street is elevated by its relationship to the music that comes before and after it. The album's irresistible power is unlikely to diminish any time soon."
Exile on Main Street will be available in two CD formats: the original 18 track release; a deluxe CD edition with the 10 special bonus tracks; and a super deluxe package that also includes vinyl, a 30-minute documentary DVD with footage fromCocksucker Blues, Ladies and Gentlemen… the Rolling Stones and Stones in Exile, and a 50-page collector's book with photos from the Exile era. The 10 unreleased tracks were produced by Jimmy Miller, The Glimmer Twins and Don Was.
Sunday, May 16, 2010
To Live and Die For Fashion
André Leon Talley Calls Crystal Renn’s Chanel Walk ‘Groundbreaking’
Modeling expert and ANTM judge André Leon Talley on Chanel’s resort show: "[Karl] Lagerfeld had cast the show with a slightly more curvaceous model named Crystal Renn, not seen on any Chanel catwalk before. This in itself was groundbreaking for the house, but there was also the return of personality models encouraged to be themselves instead of robotic look-alikes." [Vogue.com]
QUOTE FOR TODAY
To Live and Die For Beijing
Thursday, May 6, 2010
Jane Says...
(Photo by Kristin Burns)
JANE'S ADDICTION PLAY INTIMATE SURPRISE SHOW
(By Liam Gowing via spin.com)
"Even in this tiny little room," said Perry Farrell to the 150 or so folks sharing the confines of Hollywood club Bardot, "I can feel an oceanful of love."
It might have been a convenient way for the Jane's Addiction frontman to lead the band — appearing for the first time with GN'R alum Duff McKagan on bass — into its confetti-laden final number, "Ocean Size." But it also summed up the appreciative mood of the audience around him.
For diehard fans, some of whom had been waiting since 10 a.m. for a wristband to the surprise show (announced two days before on the band's website) this was heaven: A chance to see the alternative rock gods play a room no bigger than a volleyball court.
Hitting the stage with an exultant "Happy Cinco de Mayo! Ay yi yi yi!" Farrell set the celebratory tone. With a bottle of wine in his hand, a huge smile, and uniquely bedazzled Converse high-tops, he cranked up the volume with an explosive take on Ritual de lo Obitual's opener "Stop!" — complete with Dave Navarro's switchblade-attack guitars, Stephen Perkins' ultra-dynamic drumming, and McKagan's Avery-esque bass-playing.
"Ay yi yi yi!" Farrell called out again after the song ended. "Dave Navarro told me that means ‘fuck yeah' in Spanish."
A fan appreciation show and a chance to test the waters with McKagan on bass, the set came off like a Jane's Addiction party with a few close friends.
"We want to wish a quick happy birthday to our girl Susan Holmes," Farrell said after completing a ferocious take on "Had a Dad" from 1988's Nothing's Shocking. And with that, he presented the former supermodel — Duff McKagan's wife — with a birthday cake before leading the crowd in a heartfelt recital of "Happy Birthday."
Then it was back to business — completing a short but sweet eight-song set of classic Jane's tracks with only one tune that was newer than two decades old: An unreleased midtempo track called "Soulmate."
"I tell you what man," Farrell said wistfully after a particularly transcendent romp through "Pigs in Zen," another of the four tracks plucked from Nothing's Shocking. "There's nothing like going to see a live music event in L.A."
He meant it as a tribute to the VIP guests in the audience — including Rage Against the Machine guitarist Tom Morello and ex-Fishbone Keyboardist Chris Dowd -- to whom he gave shout-outs afterward.
But to the mesmerized crowd gathered at his feet, it had a whole different meaning.
SETLIST:
1. Stop!
2. Mountain Song
3. Had a Dad
4. Soulmate
5. Whores
6. Pigs in Zen
7. Ain't No Right
8. Ocean Size